An interview with author Brian Kirk

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 A few years back, I had the pleasure of meeting Brian Kirk during pitches at World Horror. I was helping out a small press at the time. I was immediately impressed with his presentation, personality, and sincerity. When I looked over his manuscript, I was even more impressed. I’m thrilled it landed at Samhain and is gaining much well deserved accolades and publicity. Here’s a short interview with Brian. 

JP: Can you tell us a little bit about We Are Monsters?   

BK: Certainly. We Are Monsters is my debut novel, literally making it a dream come true. Although all books are basically dreams that have come true when you really think about it. I mean, isn’t a book basically the end result of someone extracting the contents of some subconscious dream-state into the material realm. But that’s off topic, and perhaps too esoteric for this early on in the interview. My apologies.

We Are Monsters is a story about a brilliant, yet troubled psychiatrist named Alex Drexler who is working to create a cure for schizophrenia. At first, the drug he creates shows great promise in alleviating his patient’s symptoms. It appears to return schizophrenics to their former selves. But (as you may imagine) something goes wrong. Unforeseen side effects begin to emerge, forcing prior traumas to the surface, setting inner demons free. His medicine may help heal the schizophrenic mind, but it also expands it, and the monsters it releases could be more dangerous than the disease.

JP: What inspired this story?     

BK: I’ve always been fascinated by mental illness. The idea that our own brains can turn against us is terrifying. It’s the ultimate enemy; it knows our deepest secrets and it’s something we can’t escape.

I also have a great deal of sympathy for people who suffer mental heath disorders. I’ve dealt with OCD all of my life, which produces chronic anxiety, negative thought loops, and periods of depression. No fun, I’ll tell you. And I feel that mental disease is misunderstood by our society at large. In fact, many people who are mentally ill are often labeled as evil or deranged, which I feel is unfair, and precludes us from exploring proper treatment options.

I suppose I found the subject both fascinating and deeply personal, and I wanted to explore it further, so I wrote about it.

JP: How did you get started writing?    

BK: Reading and writing have been the two things I’ve enjoyed above all else for as long as I can remember. And I realized I had somewhat of a talent for telling stories early on, as students started looking forward to hearing my stories read aloud in class. My English teachers all encouraged my writing, and I won a poetry contest in 5th grade from a homework assignment that my teacher submitted on my behalf.

But I always considered it frivolous fun and knew that one day I’d have to get serious and find a line of work that I could turn into a career. So I studied marketing and took a job at an ad agency. But the urge to write stories never left. In fact, it grew stronger the farther away from it that I strayed. I returned to it a few years after starting my “big career,” writing short stories in the evenings and on the weekends, and then I began submitting them for publication. After accruing a massive stack of rejections for a couple of years, I finally sold one. Then another.  After a while I decided to quit my full time job at the ad agency to work freelance and write a book. That’s how We Are Monsters came about.

JP: What was the path to publication like for you?    

BK: Publishing my first short story and first novel were two entirely different experiences. For one, my writing was understandably amateurish when I first started out. With each story, my work got a bit more refined. The only way to learn how to write is by writing, which unfortunately results in the decimation of story ideas that could have been good if written with more skill.

And rejection stings, no matter what. Two straight years of generic rejections slips is humbling and will make you question your ability. But that just makes that first acceptance that much sweeter, I think.

Short stories helped me to refine my craft, but I didn’t really find my voice until I started writing We Are Monsters, which took about a year to write. And then I spent another five months or so rewriting, sharing with readers, and rewriting more. I considered pursuing agents, but didn’t feel like it was the right book for a large, traditional publisher. It’s a bit too unconventional. So I decided to seek out the proper fit on my own.

I knew about Don D’Auria, the head editor for the horror line at Samhain Publishing, from his work at Leisure Books, and was intent on pitching him. I flew from Atlanta to Portland for a ten minute pitch session with him at the 2014 World Horror Convention. The pitch went well and he asked to read the manuscript. I sent it to him and two weeks later he offered a contract. I was so excited I almost threw up in my lap.

JP: What’s in the future for you?    

BK: I’m excited to have We Are Monsters out in the world. Early reviews have been encouraging and very kind. It has the potential to be a polarizing book, but the people who get it really seem to enjoy it. So I know it fundamentally works, which pleases me.

I’m currently writing the second book in a planned trilogy of dark thrillers. The first book is complete and currently being considered by various agents. I hope to be able to share exciting news on that soon. We’ll see.

JP: What would people be surprised to find out about you?    

BK: Aside from writing fiction, I’m a father of five-year-old identical twin boys: the rarest form of human offspring (a very technical term for kids). Only fraternal twins are hereditary; identical twins are a random anomaly. So it came as quite a surprise. In fact, the first thing I did when I found out was Google search the phrase, “The best thing about having twins.” I needed a pep talk.

Fortunately, it turns out I didn’t. We were blessed with wonderful boys. Raising them has been a special privilege.

JP: Where can readers find and follow you?

BK: Thanks for asking. Anyone interesting in learning more about my work or striking up a virtual friendship can find me through any of the following channels. Thank you very much for having me.

Amazon: http://www.amazon.com/We-Are-Monsters-Brian-Kirk-ebook/dp/B00VNK4PL6/ref=sr_1_1?ie=UTF8&qid=1434202454&sr=8-1&keywords=we+are+monsters

Website: http://briankirkblog.com

Twitter: https://twitter.com/Brian_Kirk

Facebook: https://www.facebook.com/brian.kirk13

Goodreads: https://www.goodreads.com/author/show/5142176.Brian_Kirk

 

NERVES is free

For the next two days, you can get NERVES for free for your Amazon Kindle. Please do check it out, spread the word, and put up some reviews when you’re done. Independent artists need as many reviews as we can get. At one point, there were nearly 30, but for some reason, a bunch have vanished. In any event, hope you dig the book if you choose to grab a copy.

http://www.amazon.com/Nerves-John-Palisano-ebook/dp/B00BOILPEW/ref=sr_1_1?ie=UTF8&qid=1387270762&sr=8-1&keywords=nerves+john+palisano

NERVES - cover

KillerCon V

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KillerCon is a special place. Christopher Rice nailed it when he told the crowd he liked it because there weren’t any awards. Ellen Datlow remarked it was one of her favorites because it was small and intimate. For me? KillerCon is a catalyst on many levels. It’s inspiring being around so many folks who’ve become close friends. On the flip side, Vegas brings out a lot of bittersweet memories.

How can I forget those who have passed? A few years ago, my life in shambles from a brutal divorce, my dear friend Michael Louis Calvillo pulled me in to a hall, sat me down, and filled me with positivity and joy. Whenever I see those weird geometric carpets, I’m taken right back to that moment. Just inside, Adam Niswander and his wife were holding an insanely crowded party. I can still taste the moonshine he offered me, and those weird meatballs. Both men were so wonderful. I’ll always miss them.

Speaking of that pesky divorce, it’s still knocking me on my butt financially. Without the kindness of PS Gifford, Roy Robbins, Christopher Boyle and Steven Booth, there’d have been no me at the convention this year. Here’s to next year, and my helping them in return. Wrath James Wright always puts on one hell of a show each year. Nods to him and the great team: Bailey Hunter, Mason Bundschuh, Matt Czarnowski, Misty Dahl, Rena Mason, Stacy Scranton-Morgan, Mercedes M. Yardley, and RJ Cavender.

We made great time getting to the convention from Los Angeles. When we were in the Mojave, traffic slowed and there was an ominous black plume of smoke ahead. When we finally passed, we saw a boat had been set on fire. It was destroyed. The car towing it? Fine. My imagination went into full swing. Had to have been some kind of contraband they torched when the cops pulled them over. Who the hell brings a boat to the Mojave?

Boat on fire!

Boat on fire!

The first person I ran into was the very talented Q. She was busy writing on the casino floor, having found a spot near a big screen TV where she simultaneously watched the game and worked.

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There were groups that crawled the strip and went to the Goreatorium, but I passed on those and met up with some old friends. Found Michael Bailey and we wandered the casino floor and the shops. There was an arcade with a four person Pac Man machine. We vowed to grab people and return, but we never made it. Soon, though, we ran into other people. It didn’t take long for the first party to start, where most folks made appearances. Somehow, I was up until about 2:30am. It’s real easy to get talking to people and find time gone. I camped out on Roy’s floor, my mind racing all night long. So exciting to be around so many great creative people.

Friday

After the welcome to the Guests Of Honor (Christopher Rice, Ellen Datlow, David J. Schow and John Shirley), the ever charming Ellen Datlow had a Q & A session. I found it very inspiring to see how passionate and excited she remains for publishing. For those aspiring to get into one of her books? She gave us the secret: write something fantastic. Easy, right?

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Mike McCarty reading

Mike McCarty reading

There were a few readings. Mercedes Yardley rocked it, but teased us with a selection from a book she didn’t have any copies to sell. Ahh! Well, it was worth the preview. “

The Dialogue panel helped tremendously. Headed by John Skipp, Tom Monteleone, Monica O’Rourke and Michael Arnzen, there were many nuggets of wisdom. “Dialogue is like real talking, only with the boring parts taken out,” “Don’t have people using the other person’s name in facing dialogue” were two examples.

Pretty sure George Lucas’s head would’ve exploded like the Death Star if he’d been there.

John Skipp’s workshop, “The Choreography of Violence” rocked. When someone asked me why I’d go, being a published author and such, I told them there’s always stuff to learn, and even if it’s nothing new to me, it’s a chance to reaffirm and remember things. I did learn some great tips. My action scenes have always been kind of fuzzy to me, so I consider it time very well spent. I love these workshops.

The Erotic Horror Short Fiction Contest

Okay. So this was strangely lightly attended, with only Christopher Boyle having something prepped. I decided to write something on the spot in five minutes. Turns out it was likely one of the worst things I’ve written since second grade. But big kudos to Bailey Hunter for improvising live, and actually coming up with a real story off the top of her head. Christopher took top prize with Bailey and Edmund Collen rounding it out.

Later on, we all went to the Samhain Press party. Again, found myself out late. Had a great conversation with Mark Ciccarone and Joe Spagnola about heavy metal. Very fun and spirited. Was lucky that Christopher Boyle let me crash on his spare bed. We had some great talks about Bizarro fiction, its merits and intricacies. Chris has been at every KillerCon, volunteering and making things run smoothly. And he’s developed into an excellent writer.

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Saturday

Pitch Sessions. Found myself pitching to the wonderful Sarah Peed. We had a great conversation about the state of publishing, and she had some fantastic advice for me. Moving over to Jeff from Deadite, they have a novel system where they work backward from title, to pitch, to outline, to writing the book. I wasn’t expecting to pitch anything, but I did have an idea, which he seemed interested enough in to go to the next level. Although my title absolutely sucked, which we both laughed about, we figured that’s a relatively easy change.

Christopher Rice premiered his new book at KillerCon, which was an massive honor. He read a section about horse’s head caving in that was gruesome and poetic. He followed with a Q & A and told us it’d been his first true supernatural book, and that he planned on writing more. We were the first ones to be able to buy copies. Chris was approachable, funny, and always had time for every one. What a class act. He’s probably made a few dozen fans for life.

John Palisano and Christopher Rice

John Palisano and Christopher Rice

Christopher Rice

Christopher Rice

Later, Mike Arnzen treated us to some hilarious poems. My favorite were his Lovecraft inspired titles for X-rated movies.

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Made it away from the casino on a road trip to Fremont Street. Mercedes drove us in her massive truck. Misty Dahl, Sarah Peed, Matt Czarnowski, Mason Bundschuh and Michael Bailey walked through what I think was called the Main Street Casino, which was gorgeous.

For me, seeing the Golden Gate Casino brought back a flood of memories. I hadn’t been since shooting the feature film, “The Devil’s Hand” – and it was so damn vivid. I heard voices. I even remembered a taste of wine my ex-wife had given me. The casino smelled the same inside. So trippy. I looked around to my new cast of friends and was so grateful for each of them. Life sure is strange, and things certainly have not turned out the way I thought. But somehow? Better.

Near the end of Fremont Street, we watched an amazing cello duo performing. Only, it wasn’t classical. They were plugged into guitar amps and were doing spot-on versions of “Enter Sandman” and “One” from Metallica. Every nuance of the guitar solos got nailed. We kept looking at each other in awe. We had to get back, and damn it, did they just start playing freaking, “Master Of Puppets”?

Mason, Merceds, Elmo

Mason, Merceds, Elmo

Dueling Metallica cellos

Dueling Metallica cellos

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Fremont Street Noir Crew

Fremont Street Noir Crew

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The Gross Out Contest 

This terrified me. My first gross out was in Toronto. I remember being just frozen seeing these people perform their stories. How could I ever do such a thing? I can’t!

I had an idea for a story in May and wrote it out. It took me months to look at it again. When KillerCon got close, I printed it out and hid it in my luggage. Just in case. When I pitched to Jeff, I asked if there were any more openings. I hoped he was going to say no. I tried to back out, but he wouldn’t let me. Damn it.

What if Ellen Datlow hears this thing? She’ll never talk to me. Roy will burn all the copies of my books. Sarah Peed will block me from submitting. John Shirley would use his Shadow powers and lock me away. What had I done? What if the crowd hates it? What if my humor is too weird? What if they boo me? How could I take such devastation?

Although I can’t put the title here without risking losing my WordPress, I can tell you it involved Obama in a very compromised position.

Man, it was brutal. Q was up first, and knocked it out of the park. Damn it. She was hilarious. She worked the crowd. She walked around and acted things out. Suddenly there was something pressing in the lobby, and, sorry everyone, Jp’s missing. But I stuck around.

So many other people came up. Christine Morgan. Edmund. Christopher Boyle. No one was getting booted. Oh, man. Can’t I just go up there and get this over with. Nope. I was last in line.

I took a deep breath and gave it my all. For the first 30 seconds I was terrified. Then there were a few chuckles. Okay. I can get through this. When I heard more laughter, I kept going. But, shoot, aren’t they supposed to stop me after two minutes? What’s going on? I got into it, using every ounce I had from my acting school time at Emerson.

Jeff yelled, “time” and I still had a page and a half to go. Oh, no! But the crowd cheered to go on, and I made it through.

The judges returned after what felt like 45 minutes. The final tally had come in.

Q took first! Not surprised at all. Edmund Collen took second place.

Miraculously, the tens and twenties I’d secretly given to the judges helped. My Gross Out placed third. What the heck? How’d that happen. Not quit sure, but a big surprise.  Check out the prize package, expertly curated by Jeff.

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Finally? Time to relax a bit. I’ll never forget looking up at some unGodly hour to see a bunch of horror authors being led by Mercedes (now dressed like she was going to a 50s prom. What the heck?) as they were all making peanut butter cups. Wild seeing Mike McCarty scooping peanut butter with tongs. But that’s KillerCon in a (pea)nut shell for you.

The final panel, “How To Kill” was awesome. Al Carlisle, who has interviewed Ted Bundy several times, filled us in on the mind of real serial killers. It was awesome watching veterans like Skipp, Schow and Shirley pick his brain.

The con came to a close, but not before a screening of Edward Lee’s “The Bighead” movie, directed by Michael Ling. Geoff Skinner, Ashley Totin, Lance, and Kate were also in attendance, who all stayed through the dead dog party.

BIGHEAD screening

BIGHEAD screening

Geoff Skinner and Mike Ling

Geoff Skinner and Mike Ling

Later that night, a small group of us stragglers made it to the top of the Stratoshpere. I hate heights, and was not super-psyched. The shaking from the wind made it feel like you were having a non-stop earthquake. I was brave enough to watch people making the sky jump: bungy-ing from the side. They have a plexiglass wall so you can safely watch people defy death and give themselves heart attacks. Thankfully, we retreated to some seats, shared a round, and then called it a night.

Skyjump

Skyjump

Skyjump

Skyjump

Panorama

Panorama

Our group

Our group

Testing the panorama

Testing the panorama

Wicked panorma at the top

Wicked panorma at the top

I ran into Edward Lee, Lance, and Michael Ling at the slots, where we talked about concerts and gambling and Vegas. Then, it was all over.

We were on our way back, and that weird science fiction like Sun Farm intrigued me. I picked up some flyers on the way. Places like, “Bullets and Burgers” and “The Atomic Testing Museum” are just so…unique.

And it was a race. My day was far from over. I had tickets to see a free show from Paul McCartney on Hollywood Boulevard. Me and Fawn barely made it, but made it we did (thanks, Paul!), enjoying much more than the promised 2-3 songs they’d told us. Sir Paul played for over an hour, hitting most the songs I’d wish for. “Ob-La-Di” indeed.

Until next year, adios amigos!

Here’s some more shots for y’all.

Tom Monteleone and Gene O'Neill

Tom Monteleone and Gene O’Neill

Edward Lee, Michael Ling and Lance T.

Edward Lee, Michael Ling and Lance T.

Eric Guignard

Eric Guignard

Mike Arnzen

Mike Arnzen

Robert Essig

Robert Essig

Rena Mason, RJ Cavender, Sarah Peed

Rena Mason, RJ Cavender, Sarah Peed

Linda Larsen and John Mulhall

Linda Larsen and John Mulhall

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Samhain authors

Samhain authors

Michael Rowe

Michael Rowe

RJ

RJ

Stacey Scranton shooting

Stacey Scranton shooting

Eric Guignard and Steven Booth

Eric Guignard and Steven Booth

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“I Know This World” to appear in BLEED

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Very happy to announce “I Know This World” will be appearing in this wonderful anthology benefiting Children with cancer. Children are a passion of mine, and I’m thrilled and honored to be able to help in some small way. Here’s more from the publisher:

Pre-Order Here

We are very proud to finally announce the table of contents for our children’s cancer charity anthology – BLEED. Edited by Lori Michelle, this is a book consisting of great short stories, essays, and poems. 45 total authors involved, all profits will go toward helping children who have cancer. This is for all the little girls and boys who fight the good fight everyday. Look for it this September, as its release will coincide with Children’s Cancer Month.

Table of Contents:

Short Stories
“Never Enough” by J. David Anderson
“The Nightly Disease” by Max Booth III
“Red-Wat-Shod” by Jason V. Brock
“Get the Cell Outta Here” by Marian Brooks
“A Billion Monstrosities” by Mort Castle
“King Rat” by James Dorr
“Mr. Expendable” by Peter Dudar
“Welcome to the World Mr. Smiles” by T Fox Dunham
“All the Sludge” by Benjamin Kane Ethridge
“I Am Disease” by Jen Finelli
“Remission” by Charlie Fish
“No Limit” by Peter Giglio and SS Michaels
“The Gift” by Lindsey Beth Goddard
“That Which is Not Seen” by Dane Hatchell
“The Call” by Rick Hautala
“The Lucky Mouth” by Gerry Huntman
“The Unstoppable Annihilation” by Jeffrey C. Jacobs
“March” by Micah Joel
“Goddess of the Moxie Moon” by Absolutely Kate
“Lost and Found” by Patrick Lacey
“Funeral Portrait” by Christian A. Larsen
“The Addition” by Bentley Little
“The Monster in Me” by Suzie Lockhart and Bruce Lockhart
“With Paper Armour and Wood Sword” by Tracie McBride
“Sky of Brass, Land of Iron” by Joe McKinney
“The Sallow Man” by Adam Millard
“Descent” by William Nolan
“Dance of the Blue Lady” by Gene O’Neill
“I Know this World” by John Palisano
“Muted” by Hollie Snider
“Sludge” by Stan Swanson
“Death Knell” by Richard Thomas
“Unwoven” by Tim Waggoner
“Fight” by Jay Wilburn
“Ears” by Eli Wilde
“Dreams of Shadows” by Robert S. Wilson

Essays
“Five Little Tips” by Kristin Bryant
“Healing my Cancer through Horror” by T Fox Dunham
“Slippery Love” by April Hawks
“Introduction” by Lori Michelle
“The Rooster” by Glenn Rolfe

Poems
“Leukemia is Fookin’ Stoopid” by ‘Anna DeVine
“Where the Wild Welo Waits” by John Hawkhead
“Impossible is Nothing” by Jack Ivey
“Bumper Car Bandit” by David Pointer
“Wounded Star” by David Pointer

(table of contents are not yet listed in any official order)