This Was the Decade Horror Got “Elevated” in VANITY FAIR magazine December 2019
VANITY FAIR’s Laura Bradley wrote a terrific article, continuing the dialogue about how horror is ever changing, and used quotes from yours truly. Pretty darn cool to be quoted alongside horror filmmakers Guillermo Del Toro, Jordan Peele, Ari Aster, Andy Muschetti, Oren Peli, M. Night Shyamalan, and more. PHOTO ILLUSTRATION BY LAUREN MARGIT JONES; IMAGES FROM THE EVERETT COLLECTION.
https://www.vanityfair.com/hollywood/2019/12/rise-of-elevated-horror-decade-2010s?fbclid=IwAR24bzm7G2dxxBxBSZcF1Ksd8c0RoyoEg9pPHgnk6wg1I7DgbuSBMJoy5nM
Scaring up an Oscar article in the Los Angeles Times
The LOS ANGELES TIMES has an article out this week, “Scaring up an Oscar”, which features interviews by Randee Dawn with some of the horror genre’s biggest filmmakers: Guillermo Del Toro, Jordan Peele, Ari Aster, Andy Muschietti, Dave Eggers, and me! It was a huge honor discussing the past, present, and future history of the Academy Awards and horror. Most especially? How much horror has evolved into something . . . dare I say it? Respectable.
Strange Tales of the Macabre series launched!
When Lisa Morton proposed we gather a group and release a series of eBooks, each themed, and each featuring some of my favorite authors and people, I jumped at the chance. To hell with my overfilling inbox and commitments! How could I resist doing what I love most? I could not. And here we are with this wonderful collection, named by Eric J. Guignard: STRANGE TALES OF THE MACABRE! For my theme, I immediately picked GOTHIC, as I am presently knee-deep reading and discussing Gothic fiction for a long-running book club at downtown Los Angeles’s THE LAST BOOKSTORE.
In Eric J. Guignard’s, “A Curse and a Kiss” one does not get more Gothic than visiting the world of Beauty and the Beast, with an unusual take, as the story is seen from a different point of view than we’ve read before: that of Belle!
In Kate Jones’s, “Mountain”, family secrets and old curses play out against a Christmas background with a cast of characters that burn into your psyche like chains rattling outside your door on a cold, rainy night. ‘Mountain’ is Kate Jonez at her atmospheric best.
In Rena Mason’s, “Of Earth and Bone”, has us meet a surveyor sent to the Great Wall as punishment because of his unrequited love for his boss’s wife, but then ends up going back in time and experiencing the Great Wall in a fashion more intimate than he’d ever believed.
In Lisa Morton’s “Tamlane”, you can feel the old school Los Angeles grit and grime. We have an old building brimming with history . . . some of it may even be supernatural . . . threatened to be torn down. But will a secret tryst be enough to save the building? Will a father truly listen to his daughter, destroying the past and all the building hides? A terrific piece of modern gothic fiction on all fronts.
In my own, “Wings Made from Water”, we find ourselves in the midst of a modern gothic story whereas a young man and the family he is forced to live with are haunted by the mysterious disappearance of her cousin in the woods of San Quinlan, California.
Here’s hoping you enjoy STRANGE TALES OF THE MACABRE: GOTHIC, as well as the other titles in the series centering on STRANGE TALES OF THE MACABRE: GHOSTS edited by Lisa Morton, STRANGE TALES OF THE MACABRE: STRANGE JOURNEYS edited by Lisa Morton, STRANGE TALES OF THE MACABRE: POST-APOCAPLYPSE edited by Eric J. Guignard and STRANGE TALES OF THE MACABRE: STORMS edited by Kate Jonez.
You will find links to each volume below!
“Humani” a new short story in Space & Time magazine
Thrilled to announce a new short story appears in Space & Time magazine, edited by Angela Yuriko Smith. “Humani” is a straight science fiction story, where an unsung hero make a last stand to save the world. No one will ever know.
You can read an excerpt and pick up the issue at: https://www.spaceandtimemagazine.net
“The Prince of Darkness and the Showgirl” is out now in Fantastic Tales of Terror
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Catherine Cavendish returns with The Possession of Anneliese Michel
The Possession of Anneliese Michel
In my new novel, Damned by the Ancients, nine year old Heidi Mortimer b
ecomes the target for the long dead Dr. Emeryk Quintillus. So begins a battle between the forces of evil and frightened parents fighting for the life, and soul, of their beloved child.
In real life, there have been numerous accounts of children and young people being possessed by evil spirits and one of the most extreme of these is the shocking case of Anneliese Michel.
Her story provided the inspiration for the film, The Exorcism of Emily Rose. Anneliese Michel was no child, but a 23 year old, devoutly Catholic German girl suffering from mental disorders and epilepsy. From the age of sixteen her behaviour began to undergo worrying changes and it was at that time she was diagnosed with temporal lobe epilepsy by a consultant neurologist. She was prescribed medication but, sadly, the pills did not work well for her. She began to believe herself possessed by a demon. She said it appeared to her, spoke to her and told her she was damned and would rot in hell. Desperate, her religious parents decided to seek help outside the medical profession.
They turned to the church but the priests they consulted refused to perform an exorcism, stating that she clearly needed medical help. Anneliese insisted she was possessed and her behaviour continued to deteriorate. She would speak in tongues, eat coal and spiders, demonstrate a strong aversion to religious images, had convulsions and would even drink her own urine off the floor, lapping like a cat. On occasions she would bark like a dog and was known to have bitten a bird’s head off.
Finally, her parents found a priest, Father Alt, who said she didn’t look like an epileptic and successfully petitioned the Bishop for an exorcism to be performed on her. By now, Anneliese was convinced she was possessed by five demons, Lucifer, Cain, Adolf Hitler, Judas Iscariot and Nero. She endured the torments of 67 exorcisms conducted by Father Alt and exorcist Arnold Renz, sanctioned by Bishop Stangl, during which the demons would argue with each other, their voices emanating from Anneliese’s mouth, in low growls.
At this time, Anneliese would frequently say she was, “dying to atone for the wayward youth of the day and the apostate priests of the modern church.”
She broke her knees through her fervent practice of kneeling to pray repeatedly throughout the day. Even with that terrible pain, she continued the practice.
Anneliese Michel finally died of starvation and dehydration in 1976, having refused all food and drink over a period of time. At her death she weighed just 68 pounds. Two years after her death, her parents and the two priests were found guilty of causing her death by negligent manslaughter. The priests were sentenced to six months in prison (later suspended) with a further three years on probation. Her parents were not given a custodial sentence as it was deemed that they had suffered enough.
To this day Anneliese’s grave is a popular tourist attraction and there are many who continue to believe that she truly was possessed by devils.
Demons of a different kind are at work in Damned by the Ancients. Here’s what to expect:
INFINITY IN DEATH
Vienna, 1908
Gabriele Ziegler is a young art student who becomes infatuated with charismatic archeologist Dr. Emeryk Quintillus. Only too late does she realize his true designs on her. He is obsessed with resurrecting Cleopatra and has retained the famed artist Gustav Klimt to render Gabriele as the Queen of the Nile, using ashes from Cleopatra’s mummy mixed with the paint. The result is a lifelike portrait emitting an aura of unholy evil . . .
Vienna, 2018
The Mortimer family has moved into Quintillus’s former home, Villa Dürnstein. In its basement they find an original Klimt masterpiece—a portrait of Cleopatra art scholars never knew existed. But that’s not all that resides within the villa’s vault. Nine-year-old Heidi Mortimer tells her parents that a strange man lives there.
Quintillus’s desire to be with Cleopatra transcends death. His spirit will not rest until he has brought her back from the netherworld. Even if he has to sacrifice the soul of a child . . .
Damned by the Ancients is available from:
About the author:
Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.
Her novellas include Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife
She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.
You can connect with Cat here:
An Interview with Preston Fassel, author of Our Lady of the Inferno
by John Palisano
This september, with the re-launch of Fangoria also come the launch of their new line of fiction titles. I had a chance to interview Preston about the story behind Our Lady of the Inferno.
“Fassel is definitely a writer to watch.” – Jack Ketchum, author of The Girl Next Door
Spring, 1983. Sally Ride is about to go into space. Flashdance is a cultural phenomenon. And in Times Square, two very deadly women are on a collision course with destiny– and each other.
At twenty-one, Ginny Kurva is already legendary on 42nd Street. To the pimp for whom she works, she’s the perfect weapon– a martial artist capable of taking down men twice her size. To the girls in her stable, she’s mother, teacher, and protector. To the little sister she cares for, she’s a hero. Yet Ginny’s bravado and icy confidence hides a mind at the breaking point, her sanity slowly slipping away as both her addictions and the sins of her past catch up with her…
At thirty-seven, Nicolette Aster is the most respected woman at the Staten Island landfill. Quiet and competent, she’s admired by the secretaries and trusted by her supervisors. Yet those around her have no idea how Nicolette spends her nights– when the hateful madness she keeps repressed by day finally emerges, and she turns the dump into her own personal hunting ground to engage in a nightmarish bloodsport…
In the spring of 1983, neither knows the other exists. By the time Summer rolls around, one of them will be dead.
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Ginny is a strong character on so many levels. She’s not perfect. There’s a lot of grey area there. She also feels genuine. How did she come do be?
Ginny had a pretty complex path to becoming the character she is in the book. I’d originally envisioned it as a short story, and so I hadn’t planned on developing either her or Nicolette that much. It as going to be archetypical New Yawk tough girl versus psycho serial killer. There wasn’t going to be much psychological depth to the story, and the thrust of it was going to be more in the madness of what was happening than in the depth or complexity of the characters. And then, when I was writing Ginny’s very first conversation with her pimp, the Colonel, something interesting happened… You hear some authors talk about their characters writing themselves, or authors “discovering” things about their characters, and it sounds insane, but there’s a great truth to that. And writing Ginny—who I’d always envisioned as this black-bobbed, Siouxsie-Sioux looking woman—I suddenly found her speaking in German to the Colonel. And it felt right, and it was right, and the rest of that scene just flowed organically. And so I had to ask myself now, “Well, why is a 21-year-old streetwalker working in the worst part of New York at the height of its depravity fluent in German? Why is she so loquacious and articulate?” And after that conversation, she’s walking back upstairs to her room, and she’s thinking about a red bed canopy in the motel, and I wanted her to compare it to something and the first thing to come to mind was a nebula. So now she’s also got a working knowledge of celestial phenomenon. And again—why? So I joke that, in the time it took Ginny to walk up a few flights of stairs, she gained about twenty IQ points. And by the time she opened that door to her room—and the little sister I’d never intended as part of the story greets her– I’d figured out this whole background for her, and what had led her to this place.
Even with that background in mind, though, it was important that Ginny not be this “hooker with a heart of gold” that we’ve seen countless times before. A pair of phrases you hear a lot lately in horror are “breaks conventions” and “subverts expectations,” and it seems a lot of the times you hear that in relation to a piece of media, a book or a movie or a TV show, that they’re not really subverting anything or breaking anything, or, if they are, they’re not doing it to any end. They’re just doing something slightly unexpected, not really that exciting, but it’s not to any end. It’s not saying anything or accomplishing anything. And I wanted to legitimately do something different, and say something in the process, to challenge the reader’s preconceptions about certain things and make them ask questions of themselves, why they have certain expectations or hold certain beliefs. And with Ginny, part of that challenge was always, “How fine a line can she walk between being sympathetic and being loathsome? Can I have her do x, y, and z and still have the reader on her side?” Because so often in film and literature, creators are only willing to take their antiheroes so far, they’re only willing to let them be so bad and then they pull back at the last minute to make sure there aren’t too many chinks in the armor. And to me, that’s robbing these characters of their humanity. It’s allowing them to be artificially flawed—only flawed enough to be exciting, but not so flawed that it makes the reader or viewer uncomfortable. I wanted to make the reader a little uncomfortable. People’s mistakes don’t always have tidy justifications behind them; and if there are justifications, a lot of the time, they’re selfish and self-serving and not instantly forgivable. So you’re going to see Ginny do some pretty awful things, and even though you can see from her point of view why she’s doing these things, it doesn’t always justify them.
All that being said, though, I got about ¼ of the way through the book with Ginny being even less sympathetic than she is in the finished text. And there’s a scene where she convinces someone to help her do something untowards, and the way she originally went about that was far darker and less forgivable than what I finally settled on. It became a sort of point of no return for the character where, if she were to do this, you just couldn’t sympathize with her anymore. There was no going back. And by that point I’d kinda been seduced by the character. In spite of my initial conception of her, she’d grown more beautiful and complex and compelling than I’d ever imagined, and in a weird sort of way she seduced me the way that I imagine Walter White seduced Vince Gilligan and the writers of Breaking Bad. So I couldn’t have her do this; not only did I not want the character to be irredeemable, it didn’t seem true to the character. There were limits to how far she was willing to go, after all. And so I went back and I made a few tweaks here and there to that first fourth of the book to make her actions consistent with who I realized she was. And I really hope that readers have that same conflicted reaction to her.
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I truly felt transported back to the gritty, anything-is-possible New York City of the early 1980s. Do you have firsthand knowledge of that era? Why was it important?
It’s really cool to hear you say that, because more than one person has complimented me on bringing the New York of 1983 to life. I’ve had people who lived in Manhattan in the 1980s, or who visited 42nd Street during that time, tell me that I really captured what it looked and felt like to be there. And I was never there. I’ve never even been to New York City. I was born in Houston in 1985, two years after the book ends and when the whole grindhouse subculture was crumbling, and I spent my childhood and adolescence between St. Louis and Oklahoma before moving back to Houston at 19. I fell in love with 42nd Street and grindhouse culture in high school, after renting all these cult films from Hollywood Video, which, for a chain store in rural Oklahoma, had an incongruously big selection of really seedy, dark, obscure grindhouse movies. After I saw Poor Pretty Eddy, was left wondering “what the hell did I just watch?” And a Google search told me that a book called Sleazoid Exress by Bill Landis and Michelle Clifford had almost an entire chapter on the film, so I bought it, and Sleazoid was my introduction to grindhouse, what it meant, where it came from, and I jut fell in love with it. The idea of this kingdom of the damned partially built around movie theaters and film watching and filmmaking was endlessly fascinating to me, and I devoured everything about it I could get my hands on.
So what you’re reading in Our Lady is the result of very painstaking research. Throughout it all, Sleazoid was my grindhouse bible, but I also read Anthony Bianco’s Ghosts of 42nd Street, and I used CityData.com and a few other forums to talk to people who’d really lived there during the period and ask them questions. Historical accuracy is very important to me in a piece of historic fiction, even if I’m going to blatantly ignore the truth for artistic purposes. For example, it rains a few times during Our Lady, which was important to me for atmospheric purposes, but as part of researching the book I looked up the weather reports for the week the story takes place and it didn’t really rain during that week. But that was a conscious decision. Then on the other hand, there are parts of Our Lady that are extremely true to life. The Staten Island Land Fill, where Nicolette works, is just the Fresh Kills Landfill—I changed the name because I thought people who didn’t know about the landfill would think the name was ridiculous, especially considering what I have happened there. But all the statistics that Nicolette lists during her tour, and the way I describe the geography of the landfill, and the problem they have with feral dogs and birds is all historically accurate. Similarly, the hotel where Ginny and her sister live is the Times Square Motor Hotel, which at the time was the deteriorating flophouse I depict it as; and the theater where Ginny hangs out is the Roxy Theater, which really did convert itself into a four-screen multiplex showing old films on VHS projectors in the mid-80s.
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Can you tell us about how the book came to be published as the inaugural fiction book from the newly reborn Fangoria?
Back in the winter of 2016, I initially sold the manuscript to an independent horror press based out of Georgia called Fear Front. And it went into print in December 2016 and it was in print for a few months and sold like twenty copies and then the company went over in 2017, as upstarts are wont to do. And I figured, OK, that was cool. But, while the book was in print, two cool things happened. The first was a friend of mine, Jessie Hobson, told me that they were filming a new Puppet Master movie in Dallas, where I live, and that they were looking for extras. I’d been writing for Rue Morgue Magazine for a few years at that point, but I’d never had the opportunity to do a set visit, so I figured it’d bee a cool experience. So I applied to be an extra, and I was selected, and I spent about a week at the Ambassador Hotel in Dallas, running around and meeting a lot of cool people. The first day on set, I met like fifty people, and all their names and jobs just ran together for me, but everyone was really cool and so it was a fun experience.
The other thing that happened was I was invited to host a panel about horror writing at Texas Frightmare Weekend, Texas’ premier horror convention. And the day of the panel, as I was preparing to go in and speak, I hear this voice call our, “Hey, Preston, is that you?” And it’s one of the people from the Puppet Master set. And he comes over and asks me how I’m doing and what I’m doing there; and I show him a copy of my book and explain that I’m there to host a writing panel. And he’s like, “Oh shit, you wrote a book? Can I have a copy?” And I’m like, “Sure.” And he asks me to bring it to him the next day at the Puppet Master panel. So the next day I stop by the panel, and that’s when I realize for the first time this guy is Dallas Sonnier, the CEO of Cinestate, the company who produced the movie. So I give him a copy, and he says he read about it online the night before and it sounds really interesting. And I’m thinking to myself, okay, either he’s just being polite, or this is really big.
Flash forward a few months and I get an email from Amanda Presmyk, Cinestate’s VP of production, and she asks me if I’d like to come down to the office and discuss Our Lady of the Inferno. Of course I said yes. And so I show up, and Dallas and Amanda ask me if I’d be interested in selling the film rights; and at that point Fear Front was going under, and, I actually printed out a copy of my publishing contract and brought it to the meeting and I asked, “How’d you like the publication rights, too?” And then, when Dallas seemed receptive to that, I figured why not go for the trifecta, and I said, “As long as you’re going to print the book and make the movie, why not hire me, too?” And I made a case for myself as an employee and sort of horror-guru in residence. And Dallas got this look in his eye and he sort of smiled at Amanda and he said “I think we might just have something for you.”
Flash forward another few weeks, and I’ve signed all these NDAs, which I think have to do with selling the book. And I’m in the lobby of the Texas Theater, about to go in and see Event Horizon in 35mm, and I get a phone call from Dallas. And he says, “I saw you’ve signed all the NDAs, and now I can tell you why I was interested in your book and why you might be a good fit to work with us.” And that’s when he told me that he’d bought Fangoria Magazine, that he’d be resurrecting it, that he wanted to start a Fangoria literary imprint and he wanted to use Our Lady to launch it, and that he wanted me to work for the company.
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What’s next for you? Where can folks find you?
You can find me on Twitter as @PrestonFassel, and on Facebook under my name. I’ve never gotten the hang of Instagram. It scares me.
Right now I’m trying to put the finishing touches on a sort of spiritual sequel to Our Lady. It’s also set on 42nd Street, but in the 1960s and 1970s. If Our Lady is about the decline and death of grindhouse culture, then I wanted this to be about the mileu at the height of its decadence and depravity. It’s a much darker story than Our Lady, but I’m interested to see how readers will respond to it versus their reaction to Our Lady. The people who’ve read Our Lady have had a very strong positive response to Nicolette, and this story is focalized entirely through the villain, who’s just as unsympathetic, so, I’m curious to see how people react.
ABOUT PRESTON FASSEL:
Preston Fassel is a three-time Rondo Award nominated journalist and author. His work has appeared in Rue Morgue, Screem, and on Cinedump.com. He is the author of Remembering Vanessa, the first biography of English actress Vanessa Howard, printed in the Spring 2014 issue of Screem. In 2017 he joined Cinestate as story editor and staff writer for Fangoria. This is his first novel. He lives in Dallas.
An Interview with Preston Fassel, author of Our Lady of the Inferno
Crossroads Press releases the Catherine Cavendish Collection!
Crossroads Press releases the
Catherine Cavendish Collection!
The Ghosts of Ruthin Gaol
A few years ago, an article appeared in local Welsh newspaper, The Denbighshire Free Press, which included an appeal from a former Ruthin man curious to discover the identity of the ghost of a young girl he had encountered in the town 63 years earlier.
The girl was blonde, her hair in ringlets, and she wore a blue dress. When David Thorp saw her, she was walking slowly up Upper Clwyd Street. It was night time and she was illuminated by the light from a window, but she cast no shadow and appeared to be floating slightly above the ground.
When the paranormal events assistant at the gaol (Karen Messham), read of his experience, she contacted him. His description matched that of the daughter of a former governor. Her name was Josie Walmsley and she was born in 1862. Ms Messham says she has spoken to Josie many times as the young girl plays in the gaol, slams doors and has allegedly been recorded, singing the alphabet.
She is, however, not the only ghost to haunt the cells and walkways of the prison.
John Jones escaped twice – once in 1879 and then in 1913 when he was shot and died soon afterwards. Now he doesn’t seem able to leave.
William Kerr, Ruthin’s cruel and infamous Gaoler from 1871-1892, used to beat and starve prisoners as well as infuriate them by jangling his keys outside their cells. One day he simply disappeared, having left the Gaol on a perfectly normal day. No one knows what happened to him but his jangling keys and incessant banging on cell doors can still be heard today.
Then there’s William Hughes who was the last man to be hanged in the Gaol. He murdered his wife and on the 17th February 1903, six people watched him die for it. But he has never left…
| Ruthin Gaol is open to the public and is a creepy enough place in the day time, but a number of paranormal groups have staged night time vigils and reported many strange phenomena. Mists have appeared in cells (see photo), people have been touched, one investigator was sworn at as she explored a lower cell, one person felt as if they were in cold water up to their chest and experienced a sense of panic and voices were picked up on a camcorder that hadn’t been heard on the night, including an entity that called himself ‘Jake’. |
Do you dare to visit the ghosts at Ruthin Gaol? Here’s the info you need: Ruthin Gaoland here’s a Film Clipyou may find interesting. As I always say – don’t have nightmares…
There are ghosts and devils and paranormal activity in my novella The Demons of Cambian Street. Here’s what to expect:
Sometimes evil wears a beautiful face…
After her illness, the quiet backwater of Priory St Michael seemed the ideal place for Stella to recuperate. But in the peaceful little town, something evil is slumbering, waiting for its chance to possess what it desires. When Stella and her husband move into the long-empty apartment, they’re unaware of what exists in the cupboard upstairs, the entrance to an evil that will threaten both their lives…
You can buy The Demons of Cambian Street here;
About the author
Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy– Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plusThe Devil’s Serenade,The Pendle Curseand Saving Grace Devine.
Her novellas, Cold Revenge, Miss Abigail’s Room,, The Demons of Cambian Street, The Devil Inside Her, andThe Second Wifehave now been released in new editions by Crossroad Press.
She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.
You can connect with Cat here:
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Night of 1,000 Beasts now available
It’s been a very long time since I’ve had anything to post, but here today we have big news. My next novel, Night of 1,000 Beasts, is now available. This is a very different book for me in that it is super-violent, and also very much with tongue planted in cheek. That’s the hope, at least.
Inspired by extreme, unflinching works by the likes of Jack Ketchum, Sarah Langan, Elizabeth Massie, Tim Waggoner, Brian Keene, J.F. Gonzalez, Wrath James White, Edward Lee, Deborah LeBlanc, and others, Night of 1,000 Beasts tells the story of a group of vacationers who find themselves trapped on the bad side of an avalanche. Deer Springs, Colorado has not had an event similar in almost a century, so help is not easy. Even worse? The gang find they are being hunted, picked off one by one, and are being killed in the same ways people kill animals.
Night of 1,000 Beasts has been long coming. It was originally written a few years back for what I’d hoped would be a third novel with the same publisher that put out Dust of the Dead and Ghost Heart. Today, it’s being brought to you uncensored and for the first time as an exclusive from Amazon and Kindle, in eBook and paperback. Hope it’s enjoyed!
Pre-orders are off and running. Folks from the US, UK and Australia have already got their copies on the way.
For the ones who lurk in shadow, anxious to even the score.
Tonight’s the longest night of the century.
The night of 1,000 Beasts.
The night when they rise up and they get to do to us
What we’ve done to them . . .
LINK: https://www.amazon.com/dp/B07CGS4YG1
KINDLE Link: http://a.co/6CwSUyk
PAPERBACK Link: http://a.co/5BO3GmA
Guest post by Catherine Cavendish: The White Lady of Porcia Castle
Last year, the terrific Catherine Cavendish visited my blog with a very fascinating read. She returns here with her latest book, and more wonderful reading. Thanks, Catherine!
The White Lady of Porcia Castle
My latest book – Waking the Ancients – centres largely on sinister and ghostly activities within a magnificent haunted house in Vienna, Austria’s elegant and fascinating capital.
Vienna is the sort of city where ghosts walk by your side at night through quaint, winding streets in the old part of the city. Music forms the breath of the city and you can almost hear the haunting strains of The Blue Danubeas you wonder at the grandeur of its many palaces.
But Vienna isn’t Austria and all over this picturesque country, you can find echoes of its imperial past when the Hapsburg Austro-Hungarian Empire ruled over so much of the European continent.
Today, I want to take you to a haunted castle. Situated in the centre of the town of Spittal an der Drau in the Austrian state of Carinthia, stands the magnificent Renaissance edifice of Schloss Porcia.
Built at the instigation of Count Gabriel von Salamanca-Ortenburg, in 1533, the castle’s splendour was designed to reflect the achievements of its owner who was treasurer and confidant to Archduke Ferdinand I of Austria. Sad to say, the Count never lived here as construction continued on until 1598 – some 59 years after his death.
Ghost stories abound today, as they have for most of the castle’s life. In a forgotten banana box in the town’s archive, employees found the bones of fifteen members of the Salamanca family dating from the 17thand 18thcenturies. In 2010, these bones were ceremonially reburied and everyone hoped that would put an end to the ghostly sightings. It didn’t. Both the bead of the castle’s museum and the town’s mayor engaged in ghost hunts, inviting several teams of ghosthunters to mount investigations and get to the bottom or precisely who was haunting the castle.
Almost certainly, one major contender is Katharina von Salamanca. She was the last descendant of the Count and was infamous for her miserliness. She walled all her treasures up in the castle and so that no one would ever discover their hiding place, she had the bricklayer murdered. Not only that, an unfortunate maid felt the full force of her wrath when Katharina discovered her discussing the whereabouts of the fortune. Her mistress killed her with a clog.
Many visitors claim to have heard strange noises in a number of rooms. She appears and disappears apparently at will in one courtyard and floats through the arcaded courtyard.On occasions, her shape has been seen manifesting in the window glass. She has also appeared in photographs as a ghostly figure. She is known as the White Lady and no prizes for guessing why.
The reason she haunts is disputed but she may have been cursed to eternally wander the castle in penance for her remorseless behaviour toward her employees.
Since 1951, the castle has been owned by the municipality of Spittal an der Drau and is open to the public. Maybe, if you visit, the White Lady will accompany you on your tour…
Waking the Ancients
Legacy In Death
Egypt, 1908
University student Lizzie Charters accompanies her mentor, Dr. Emeryk Quintillus, on the archeological dig to uncover Cleopatra’s tomb. Her presence is required for a ceremony conducted by the renowned professor to resurrect Cleopatra’s spirit—inside Lizzie’s body. Quintillus’s success is short-lived, as the Queen of the Nile dies soon after inhabiting her host, leaving Lizzie’s soul adrift . . .
Vienna, 2018
Paula Bancroft’s husband just leased Villa Dürnstein, an estate once owned by Dr. Quintillus. Within the mansion are several paintings and numerous volumes dedicated to Cleopatra. But the archeologist’s interest in the Egyptian empress deviated from scholarly into supernatural, infusing the very foundations of his home with his dark fanaticism. And as inexplicable manifestations rattle Paula’s senses, threatening her very sanity, she uncovers the link between the villa, Quintillus, and a woman named Lizzie Charters.
And a ritual of dark magic that will consume her soul . . .
You can find Waking the Ancients here:
About the Author:
Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy– Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plusThe Devil’s Serenade,The Pendle Curseand Saving Grace Devine. She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.
You can connect with Cat here:
