Crossroads Press releases the Catherine Cavendish Collection!

Crossroads Press releases the
Catherine Cavendish Collection!

The Ghosts of Ruthin Gaol

A few years ago, an article appeared in local Welsh newspaper, The Denbighshire Free Press, which included an appeal from a former Ruthin man curious to discover the identity of the ghost of a young girl he had encountered in the town 63 years earlier.

The girl was blonde, her hair in ringlets, and she wore a blue dress. When David Thorp saw her, she was walking slowly up Upper Clwyd Street. It was night time and she was illuminated by the light from a window, but she cast no shadow and appeared to be floating slightly above the ground.

When the paranormal events assistant at the gaol (Karen Messham), read of his experience, she contacted him. His description matched that of the daughter of a former governor. Her name was Josie Walmsley and she was born in 1862. Ms Messham says she has spoken to Josie many times as the young girl plays in the gaol, slams doors and has allegedly been recorded, singing the alphabet.

She is, however, not the only ghost to haunt the cells and walkways of the prison.

John Jones escaped twice – once in 1879 and then in 1913 when he was shot and died soon afterwards. Now he doesn’t seem able to leave.

William Kerr, Ruthin’s cruel and infamous Gaoler from 1871-1892, used to beat and starve prisoners as well as infuriate them by jangling his keys outside their cells. One day he simply disappeared, having left the Gaol on a perfectly normal day. No one knows what happened to him but his jangling keys and incessant banging on cell doors can still be heard today.

Then there’s William Hughes who was the last man to be hanged in the Gaol. He murdered his wife and on the 17th February 1903, six people watched him die for it. But he has never left…

Ruthin Gaol is open to the public and is a creepy enough place in the day time, but a number of paranormal groups have staged night time vigils and reported many strange phenomena. Mists have appeared in cells (see photo), people have been touched, one investigator was sworn at as she explored a lower cell, one person felt as if they were in cold water up to their chest and experienced a sense of panic and voices were picked up on a camcorder that hadn’t been heard on the night, including an entity that called himself ‘Jake’.

Do you dare to visit the ghosts at Ruthin Gaol? Here’s the info you need: Ruthin Gaoland here’s a Film Clipyou may find interesting. As I always say – don’t have nightmares…

There are ghosts and devils and paranormal activity in my novella The Demons of Cambian Street. Here’s what to expect:

Sometimes evil wears a beautiful face…

After her illness, the quiet backwater of Priory St Michael seemed the ideal place for Stella to recuperate. But in the peaceful little town, something evil is slumbering, waiting for its chance to possess what it desires. When Stella and her husband move into the long-empty apartment, they’re unaware of what exists in the cupboard upstairs, the entrance to an evil that will threaten both their lives…

You can buy The Demons of Cambian Street here;

Amazon

Barnes and Noble

About the author

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy– Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plusThe Devil’s Serenade,The Pendle Curseand Saving Grace Devine.

Her novellas, Cold Revenge, Miss Abigail’s Room,, The Demons of Cambian Street, The Devil Inside Her, andThe Second Wifehave now been released in new editions by Crossroad Press.

She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.

You can connect with Cat here:

 Catherine Cavendish

Facebook

Twitter

Goodreads

 

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APEX magazine Revive the Drive!


I hear you love science fiction. Well, me, too. Have you read Apex? I know, right? The covers are absolutely stunning. Agreed. The stories are always top notch. Have you heard about the promotion? It’s super cheap to subscribe and there’s some great stuff to be had now and in the future . . . so check out their Revive the Drive campaign.

I had an opportunity to speak with Managing Editor Lesley Conner about some interesting stories from the past, what they’re up to in the present and some exciting news about the near future.

 

What is the most memorable submission you’ve received, good or bad?

I don’t actually remember the story, but one time an author was incredibly insulting in their cover letter. The gist of it was that if we didn’t accept their story it was because we were discriminating against them and were too stupid to understand the genius of the story. According to them they had experienced everything in the story and had written it based off those experiences so clearly it was the best story ever. Somehow I feel this logic is flawed. We did not accept the story—1. Because it in fact was NOT the best story ever, and 2. Insulting the editors before they even have the chance to read your story doesn’t exactly make them clamor to work with you.

I’ve received lots of insulting letters after rejecting stories (even had someone threaten to sue me once), but this was the first time it happened prior to rejection.

What kinds of stories are you looking for that you don’t see enough of?

I’d love to see more dark SF. We get a lot of fantasy, magical realism, and straight up horror submissions, but the slush pile can be a little light on dark science fiction.

Do you think reader taste changes? Or are there certain stories they never seem to tire of?

I think it goes in cycles. For a while one type or style of story will be really, really popular and then at some point you hit a market saturation—readers can’t absorb one more zombie story or fairy tale retelling or whatever—so those types of stories fall away and something else moves up to take its place. Eventually those stories will come back around and readers will be ready for them again.

What was the day like when you first knew APEX was going to be your full time gig?

There wasn’t one day in particular where suddenly Apex was my full time gig. It was a gradual thing. I started by volunteering 5-10 hours a week, working on marketing and social media. As I learned more about editing and publishing, and as Jason Sizemore and I built a working relationship, I began taking on more and more responsibilities. Then in October of 2014 the opportunity came up for me to step into the managing editor role. Jason Sizemore had moved back into the editor-in-chief position and we already knew that we worked really well together, so it seemed like the next natural step. Best decision I’ve ever made.

What’s upcoming with APEX that you can’t wait to share with readers? Any teasers?

The slush pile has been especially amazing lately and we’ve snatched up some gems for futures issues. Stories by E. Catherine Tobler, Lavie Tidhar, and Rich Larson to name a few.

In addition to the fiction Jason Sizemore and I are lining up, Dr. Amy H. Sturgis is guest editing the August issue, focusing on Native American and First Nation authors. I’m really excited to see what she brings to Apex Magazine.

With the Revive the Drive campaign we are running right now, we’ve lined up amazing things for the January 2018 issue—original fiction by Tade Thompson, Delilah S. Dawson, Cherie Priest, and Jacqueline Carey, more nonfiction,  and poetry! Pretty exciting stuff! Hopefully we reach all of our goals and unlock everything. If we do, the January 2018 issue will be epic!


Apex Magazine is a monthly science fiction, fantasy, and horror magazine featuring original, mind-bending short fiction from many of the top pros of the field. New issues are released the first Tuesday of every month.

http://www.apex-magazine.com

Details about the Apex magazine Revive the Drive campaign

http://www.apex-magazine.com/revive-the-drive-2017/

Apex Magazine is an online prose and poetry magazine of science fiction, fantasy, horror, and mash-ups of all three. Works full of marrow and passion, stories that are twisted, strange, and beautiful. Creations where secret places and dreams are put on display.

Each month we bring you a mix of originals and reprints, interspersed with interviews and nonfiction. We have published many of the top short form writers working today: Mary Robinette Kowal, Saladin Ahmed, Genevieve Valentine, Amal El-Mohtar, Forrest Aguirre, Nick Mamatas, Theodora Goss, Nalo Hopkinson, Lucy A. Snyder, Cat Rambo, Jeff VanderMeer, Seanan McGuire, and Jennifer Pelland. And we’ve also presented the first professional work of amazing new writers such as Indrapramit Das, T.J. Weyler, Alex Livingston, Ursula Vernon, Kathryn Weaver, Kelly Barnhill, Douglas F. Warrick, and Jeremy R. Butler.

Apex Magazine received a Best Semiprozine Hugo nomination in 2012,2013, and 2014. We placed two stories in the 2010 Nebula Award category of Best Short Story, and our stories won the category in 2014 (“If You Were a Dinosaur My Love” by Rachel Swirsky) and again in 2015 (“Jackalope Wives” by Ursula Vernon).

Each new issue is posted piecemeal throughout the month and placed on sale the first Tuesday of every month. Content can be read for free via the website. Alternatively, annual subscriptions are available and all our issues can be purchased in single issue formats (ePub/mobi/PDF or from the Kindle and Nook stores–these versions contain exclusive content such as classic reprints and novel excerpts).


We are reviving the subscription drive that was cut short in November. The new revived drive will run from March 27 to April 17th with a goal to raise $10,000!

Tier levels we will have to unlock during the drive will be:

  • $500 – Polls will open for readers to vote for the cutest/best Apex animal mascot: Pumpkin versus Oz! (Expect loads of adorable pics on social media as our editors try to sway you to vote for their pet!) Also, Jason and Lesley will make personal donations to the Humane Society
  • $1,000 – Apex will donate two short story critiques (one each from Jason and Lesley) to the ConOrBust auction, as well a membership to Imaginarium this October
  • $1,500 – Jason and Lesley’s It Follows debate goes live! Join our editors as they watch It Follows and live tweet the entire experience. If you’ve been following their conversations about the movie on Twitter, then you do not want to miss this!
  • $2,000 – an original short story by Tade Thompson in the January 2018 issue
  • $2,500 – add a poem to the January 2018 issue
  • $3,000 – add a reprint to the January 2018 issue
  • $3,500 – Andrea Johnson will conduct a video interview with Jason Sizemore, asking him questions submitted by our readers
  • $4,000 – add a a nonfiction essay to the January 2018 issue
  • $4,500 – add a second poem to the January 2018 issue
  • $5,000 – an original short story by Delilah S. Dawson in the January 2018 issue
  • $5,500 – podcast a second original story in the January 2018 issue
  • $6,000 – Apex donates a membership to ConFusion to ConOrBust
  • $6,500 – raise cover artist rates to $75
  • $7,000 – original artwork for all original fiction unlocked during the drive for the January 2018 issue
  • $7,500 – an original short story by Cherie Priest in the January 2018 issue
  • $8,000 – behind the scenes video with Jason
  • $8,500 – original artwork for all six stories in the January 2018 issue
  • $9,000 – a new print issue of Apex Magazine: SFFH #1
  • $9,500 – raise author rates to 7 cents per word
  • $10,000 – an original short story by Jacqueline Carey in the January 2018 issue
  • STRETCH GOAL!!! $15,000 – raise author rates to 8 cents per word and artist rates to $100!

Amazing, right!?! If we unlock everything for the double issue in January 2018, it is going to be phenomenal!!!

We are also collecting donated items from awesome people that you’ll be able to purchase during the drive to help us reach our goal.

Some of these donated items include:

  • story critiques from Jason Sizemore and Lesley Conner
  • flash fiction critiques from Anna Yeatts, editor at Flash Fiction Online
  • a query letter critique by literary agents Laura Zats and Eric Hane of Print Run podcast
  • signed prints of cover art from issues 80, 83, and 86
  • signed books by John Scalzi
  • signed books by Brian Keene
  • signed copy of The Crow God’s Girl by Patrice Sarath
  • signed copy of The Buried Life by Carrie Patel
  • signed copy of Last Call at the Nightshade Lounge by Paul Krueger
  • a handwritten poem by Brandy Schwan
  • cool collectors pieces by Justin Stewart
  • hats crocheted by Janet Harriett
  • coffee from Nate’s Coffee
  • Gamut/Apex Magazine subscription bundles
  • Shimmer/Apex Magazine subscription bundles
  • Flash Fiction Online/Apex Magazine subscription bundles
  • Personalized postcards from Lesley Conner for everyone who donates at least $5

KillerCon V

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KillerCon is a special place. Christopher Rice nailed it when he told the crowd he liked it because there weren’t any awards. Ellen Datlow remarked it was one of her favorites because it was small and intimate. For me? KillerCon is a catalyst on many levels. It’s inspiring being around so many folks who’ve become close friends. On the flip side, Vegas brings out a lot of bittersweet memories.

How can I forget those who have passed? A few years ago, my life in shambles from a brutal divorce, my dear friend Michael Louis Calvillo pulled me in to a hall, sat me down, and filled me with positivity and joy. Whenever I see those weird geometric carpets, I’m taken right back to that moment. Just inside, Adam Niswander and his wife were holding an insanely crowded party. I can still taste the moonshine he offered me, and those weird meatballs. Both men were so wonderful. I’ll always miss them.

Speaking of that pesky divorce, it’s still knocking me on my butt financially. Without the kindness of PS Gifford, Roy Robbins, Christopher Boyle and Steven Booth, there’d have been no me at the convention this year. Here’s to next year, and my helping them in return. Wrath James Wright always puts on one hell of a show each year. Nods to him and the great team: Bailey Hunter, Mason Bundschuh, Matt Czarnowski, Misty Dahl, Rena Mason, Stacy Scranton-Morgan, Mercedes M. Yardley, and RJ Cavender.

We made great time getting to the convention from Los Angeles. When we were in the Mojave, traffic slowed and there was an ominous black plume of smoke ahead. When we finally passed, we saw a boat had been set on fire. It was destroyed. The car towing it? Fine. My imagination went into full swing. Had to have been some kind of contraband they torched when the cops pulled them over. Who the hell brings a boat to the Mojave?

Boat on fire!

Boat on fire!

The first person I ran into was the very talented Q. She was busy writing on the casino floor, having found a spot near a big screen TV where she simultaneously watched the game and worked.

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There were groups that crawled the strip and went to the Goreatorium, but I passed on those and met up with some old friends. Found Michael Bailey and we wandered the casino floor and the shops. There was an arcade with a four person Pac Man machine. We vowed to grab people and return, but we never made it. Soon, though, we ran into other people. It didn’t take long for the first party to start, where most folks made appearances. Somehow, I was up until about 2:30am. It’s real easy to get talking to people and find time gone. I camped out on Roy’s floor, my mind racing all night long. So exciting to be around so many great creative people.

Friday

After the welcome to the Guests Of Honor (Christopher Rice, Ellen Datlow, David J. Schow and John Shirley), the ever charming Ellen Datlow had a Q & A session. I found it very inspiring to see how passionate and excited she remains for publishing. For those aspiring to get into one of her books? She gave us the secret: write something fantastic. Easy, right?

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Mike McCarty reading

Mike McCarty reading

There were a few readings. Mercedes Yardley rocked it, but teased us with a selection from a book she didn’t have any copies to sell. Ahh! Well, it was worth the preview. “

The Dialogue panel helped tremendously. Headed by John Skipp, Tom Monteleone, Monica O’Rourke and Michael Arnzen, there were many nuggets of wisdom. “Dialogue is like real talking, only with the boring parts taken out,” “Don’t have people using the other person’s name in facing dialogue” were two examples.

Pretty sure George Lucas’s head would’ve exploded like the Death Star if he’d been there.

John Skipp’s workshop, “The Choreography of Violence” rocked. When someone asked me why I’d go, being a published author and such, I told them there’s always stuff to learn, and even if it’s nothing new to me, it’s a chance to reaffirm and remember things. I did learn some great tips. My action scenes have always been kind of fuzzy to me, so I consider it time very well spent. I love these workshops.

The Erotic Horror Short Fiction Contest

Okay. So this was strangely lightly attended, with only Christopher Boyle having something prepped. I decided to write something on the spot in five minutes. Turns out it was likely one of the worst things I’ve written since second grade. But big kudos to Bailey Hunter for improvising live, and actually coming up with a real story off the top of her head. Christopher took top prize with Bailey and Edmund Collen rounding it out.

Later on, we all went to the Samhain Press party. Again, found myself out late. Had a great conversation with Mark Ciccarone and Joe Spagnola about heavy metal. Very fun and spirited. Was lucky that Christopher Boyle let me crash on his spare bed. We had some great talks about Bizarro fiction, its merits and intricacies. Chris has been at every KillerCon, volunteering and making things run smoothly. And he’s developed into an excellent writer.

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Saturday

Pitch Sessions. Found myself pitching to the wonderful Sarah Peed. We had a great conversation about the state of publishing, and she had some fantastic advice for me. Moving over to Jeff from Deadite, they have a novel system where they work backward from title, to pitch, to outline, to writing the book. I wasn’t expecting to pitch anything, but I did have an idea, which he seemed interested enough in to go to the next level. Although my title absolutely sucked, which we both laughed about, we figured that’s a relatively easy change.

Christopher Rice premiered his new book at KillerCon, which was an massive honor. He read a section about horse’s head caving in that was gruesome and poetic. He followed with a Q & A and told us it’d been his first true supernatural book, and that he planned on writing more. We were the first ones to be able to buy copies. Chris was approachable, funny, and always had time for every one. What a class act. He’s probably made a few dozen fans for life.

John Palisano and Christopher Rice

John Palisano and Christopher Rice

Christopher Rice

Christopher Rice

Later, Mike Arnzen treated us to some hilarious poems. My favorite were his Lovecraft inspired titles for X-rated movies.

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Made it away from the casino on a road trip to Fremont Street. Mercedes drove us in her massive truck. Misty Dahl, Sarah Peed, Matt Czarnowski, Mason Bundschuh and Michael Bailey walked through what I think was called the Main Street Casino, which was gorgeous.

For me, seeing the Golden Gate Casino brought back a flood of memories. I hadn’t been since shooting the feature film, “The Devil’s Hand” – and it was so damn vivid. I heard voices. I even remembered a taste of wine my ex-wife had given me. The casino smelled the same inside. So trippy. I looked around to my new cast of friends and was so grateful for each of them. Life sure is strange, and things certainly have not turned out the way I thought. But somehow? Better.

Near the end of Fremont Street, we watched an amazing cello duo performing. Only, it wasn’t classical. They were plugged into guitar amps and were doing spot-on versions of “Enter Sandman” and “One” from Metallica. Every nuance of the guitar solos got nailed. We kept looking at each other in awe. We had to get back, and damn it, did they just start playing freaking, “Master Of Puppets”?

Mason, Merceds, Elmo

Mason, Merceds, Elmo

Dueling Metallica cellos

Dueling Metallica cellos

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Fremont Street Noir Crew

Fremont Street Noir Crew

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The Gross Out Contest 

This terrified me. My first gross out was in Toronto. I remember being just frozen seeing these people perform their stories. How could I ever do such a thing? I can’t!

I had an idea for a story in May and wrote it out. It took me months to look at it again. When KillerCon got close, I printed it out and hid it in my luggage. Just in case. When I pitched to Jeff, I asked if there were any more openings. I hoped he was going to say no. I tried to back out, but he wouldn’t let me. Damn it.

What if Ellen Datlow hears this thing? She’ll never talk to me. Roy will burn all the copies of my books. Sarah Peed will block me from submitting. John Shirley would use his Shadow powers and lock me away. What had I done? What if the crowd hates it? What if my humor is too weird? What if they boo me? How could I take such devastation?

Although I can’t put the title here without risking losing my WordPress, I can tell you it involved Obama in a very compromised position.

Man, it was brutal. Q was up first, and knocked it out of the park. Damn it. She was hilarious. She worked the crowd. She walked around and acted things out. Suddenly there was something pressing in the lobby, and, sorry everyone, Jp’s missing. But I stuck around.

So many other people came up. Christine Morgan. Edmund. Christopher Boyle. No one was getting booted. Oh, man. Can’t I just go up there and get this over with. Nope. I was last in line.

I took a deep breath and gave it my all. For the first 30 seconds I was terrified. Then there were a few chuckles. Okay. I can get through this. When I heard more laughter, I kept going. But, shoot, aren’t they supposed to stop me after two minutes? What’s going on? I got into it, using every ounce I had from my acting school time at Emerson.

Jeff yelled, “time” and I still had a page and a half to go. Oh, no! But the crowd cheered to go on, and I made it through.

The judges returned after what felt like 45 minutes. The final tally had come in.

Q took first! Not surprised at all. Edmund Collen took second place.

Miraculously, the tens and twenties I’d secretly given to the judges helped. My Gross Out placed third. What the heck? How’d that happen. Not quit sure, but a big surprise.  Check out the prize package, expertly curated by Jeff.

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Finally? Time to relax a bit. I’ll never forget looking up at some unGodly hour to see a bunch of horror authors being led by Mercedes (now dressed like she was going to a 50s prom. What the heck?) as they were all making peanut butter cups. Wild seeing Mike McCarty scooping peanut butter with tongs. But that’s KillerCon in a (pea)nut shell for you.

The final panel, “How To Kill” was awesome. Al Carlisle, who has interviewed Ted Bundy several times, filled us in on the mind of real serial killers. It was awesome watching veterans like Skipp, Schow and Shirley pick his brain.

The con came to a close, but not before a screening of Edward Lee’s “The Bighead” movie, directed by Michael Ling. Geoff Skinner, Ashley Totin, Lance, and Kate were also in attendance, who all stayed through the dead dog party.

BIGHEAD screening

BIGHEAD screening

Geoff Skinner and Mike Ling

Geoff Skinner and Mike Ling

Later that night, a small group of us stragglers made it to the top of the Stratoshpere. I hate heights, and was not super-psyched. The shaking from the wind made it feel like you were having a non-stop earthquake. I was brave enough to watch people making the sky jump: bungy-ing from the side. They have a plexiglass wall so you can safely watch people defy death and give themselves heart attacks. Thankfully, we retreated to some seats, shared a round, and then called it a night.

Skyjump

Skyjump

Skyjump

Skyjump

Panorama

Panorama

Our group

Our group

Testing the panorama

Testing the panorama

Wicked panorma at the top

Wicked panorma at the top

I ran into Edward Lee, Lance, and Michael Ling at the slots, where we talked about concerts and gambling and Vegas. Then, it was all over.

We were on our way back, and that weird science fiction like Sun Farm intrigued me. I picked up some flyers on the way. Places like, “Bullets and Burgers” and “The Atomic Testing Museum” are just so…unique.

And it was a race. My day was far from over. I had tickets to see a free show from Paul McCartney on Hollywood Boulevard. Me and Fawn barely made it, but made it we did (thanks, Paul!), enjoying much more than the promised 2-3 songs they’d told us. Sir Paul played for over an hour, hitting most the songs I’d wish for. “Ob-La-Di” indeed.

Until next year, adios amigos!

Here’s some more shots for y’all.

Tom Monteleone and Gene O'Neill

Tom Monteleone and Gene O’Neill

Edward Lee, Michael Ling and Lance T.

Edward Lee, Michael Ling and Lance T.

Eric Guignard

Eric Guignard

Mike Arnzen

Mike Arnzen

Robert Essig

Robert Essig

Rena Mason, RJ Cavender, Sarah Peed

Rena Mason, RJ Cavender, Sarah Peed

Linda Larsen and John Mulhall

Linda Larsen and John Mulhall

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Samhain authors

Samhain authors

Michael Rowe

Michael Rowe

RJ

RJ

Stacey Scranton shooting

Stacey Scranton shooting

Eric Guignard and Steven Booth

Eric Guignard and Steven Booth

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Tres Libororum Prohibitorum Volume 2 cover released

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This is exciting. The final cover for the next volume in our Western Legends series Tres Libororum Prohibitorum has been released. James Powell, D.T. Griffith and Dean M. Dinkel have done a great job with this anthology. It’s looking marvelous. Inside, my story “The Kappa” is my take on a Japanese folk tale. It’s a bit different than anything I’ve done.

Here’s a link:
http://westernlegendspublishing.wordpress.com/2013/08/08/sneak-peek-cover-for-vol-2-of-tres-liborum-prohibitorum-the-bestiarium-vocabulum/

From the press release:

Western Legends is excited to share with you the cover of our new anthology The Bestiarum Vocabulum, edited by Dean M. Drinkel. This is the second installment of theTres Librorum Prohibitorum series. Special thanks to artist James Powell for the killer illustration on the front cover!

It wouldn’t be a Drinkel anthology without a plethora of authors – check out the roster:

Jason D. Brawn
Adrian Chamberlin
Lily Childs
Raven Dane
Nerine Dorman
Christine Dougherty
Dean M. Drinkel
Tim Dry
Jan Edwards
D.T. Griffith
Lisa Jenkins
Emile-Louis Tomas Jouvet
Rakie Keig
Amelia Mangan
Peter Mark May
Christine Morgan
Joe Mynhardt
Sandra Norval
John Palisano
Martin Roberts
Andy Taylor
Tej Turner
Robert Walker
Mark West
Barbie Wilde
D.M. Youngquist