New Releases!

It’s been an awfully long time since I’ve updated my Bibliography, and with several new releases just out or coming soon, I thought it high time to do so.

 

Scales & Tales front cover

Scales and Tales: Finding Forever Homes
I was very honored to have spent the last year editing the charity anthology Scales & Tales: Finding Forever Homes. This book benefits three local animal adoption programs, and was released as a limited edition of 500 print copies at Comic Con in San Diego. There will be a signing at Dark Delicacies in Burbank on August 28th, so please stop by and purchase a copy (or two!) and meet some of the terrific authors.

Los Angeles, CA William Wu Books 2016. First edition, limited to 500 numbered copies. Contains new stories by Tim Powers, Marv Wolfman, Lisa Morton, Jason V Brock, Sunni K Brock, William F. Nolan and more, including Clive Barker and Ray Bradbury. All proceeds benefit 3 adoption programs in Los Angeles: Southwestern Herpetologist Society, Kitt Crusaders, and Star Paws Rescue.

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“Eternal Valley”
In Cemetery Riots

In my short story, “Eternal Valley” a family relocates away from the city in order to help their sick son have a fighting chance. When he falls ill again, his father must make a journey to summon a doctor. On his way, he meets a mysterious woman who tells him of an entity in a lake that just might be able to help. Here’s the rest of the table of contents.

Imagine yourself in a cemetery. Void of all light at the base of a tree. But it’s no ordinary tree. This tree abounds with the dead. Now envision that each tree limb is a short story with its own vision, its own length of words, and its own insanity.With that said, beware of the widow makers and the strange foreboding dwelling beneath. Remember, nothing’s heavenly in Cemetery Riots. Cemetery Riots is a new collection of dark cautionary tales edited by T. C. Bennett and Tracy L. Carbone. With great pride, we introduce you to our stories and their authors… THE WAITING DEAD by Ray Garton, ABUSED by Richard Christian Matheson, CHILDREN’S HOUR by Hal Bodner, CARMICHAEL MOTEL by Kathryn E. McGee, THAT STILL, BLEEDING OBJECT OF DESIRE by Chet Williamson, LUNCH AT MOM’S by Tracy L. Carbone, FATHER AND SON by Jack Ketchum, THE DEMON OF SPITALFIELDS by Karen and Roxanne E. Dent, ERASURE by Lisa Morton, THE WINDOWS by T. C. Bennett, CERTAIN SIGHTS OF AN AFFLICATED WOMAN by Eric J. Guignard, THE MAN WHO KNEW WHAT TIME IT WAS by Dennis Etchison, THE RE-POSSESSED by James Dorr, CLOWN ON BLACK VELVET by Michael Sebastian, THE CELLAR by Kelly Kurtzhals, ETERNAL VALLEY by John Palisano, BLOOD by Taylor Grant, AMONG THE TIGERS by William F. Nolan, ALL OUR HEARTS ARE GHOSTS by Peter Atkins, THE ITCH by Michael D. Nye, and DRIVING HER HOME by John Everson.

Beauty of Death cover
“Mulholland Moonshine”
In The Beauty of Death

It’s the turn of the century in old Hollywood. It’s a time when being gay was even more dangerous than it is today. Falling in love has always been dangerous, and transformative, so when the object of your affection invites you up into the hills for a camping trip, and leads you to a mysterious body of water, you drink, and to hell with the consequences!

The Beauty of Death Anthology, edited by Bram Stoker Award® Winning Author Alessandro Manzetti.

Over 40 stories and novellas by both contemporary masters of horror and exciting newcomers. Stories by: Peter Straub, Ramsey Campbell, Edward Lee, John Skipp, Poppy Z. Brite, Nick Mamatas, Shane McKenzie,Tim Waggoner, Lisa Morton, Gene O’Neill, Linda Addison, Maria Alexander, Monica O’Rourke, John Palisano, Bruce Boston, Alessandro Manzetti, Rena Mason, Kevin Lucia, Daniel Braum, Colleen Anderson,Thersa Matsuura, John F.D. Taff, James Dorr, Marge Simon, Stefano Fantelli, John Claude Smith, K. Trap Jones, Del Howison, Paolo Di Orazio, Ron Breznay, Mike Lester, Annie Neugebauer, Nicola Lombardi, JG Faherty, Kevin David Anderson, Erinn Kemper, Adrian Ludens, Luigi Musolino, Alexander Zelenyj, Daniele Bonfanti, Kathryn Ptacek, Simonetta Santamaria.
Cover Art by George Cotronis


COMING SOON! 
13346551_10201892623753141_8788014962900180884_n“Paso Robles”
In The Junk Merchants: A Literary Tribute to William S. Burroughs
(Coming Soon)

“The Space Between”
In My Peculiar Family
(Coming Soon)

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VOICES OF THE DEAD preview at Shades & Shadows

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Last July, I was one of the featured readers at Los Angeles reading series Shades & Shadows. We had a full house, and it was wonderful to premier the first chapter of VOICES OF THE DEAD, the sequel to DUST OF THE DEAD. Many readers have asked me what happened after the events of DUST OF THE DEAD, and here’s the first taste.

While you’re there, I urge you to check out the other podcasts. The readings are short . . . around seven minutes each . . . so you can get a good taste of a new author without too much time. They’ve all been pretty damn good, if you ask me.

Podcast Episode 5!

 

Kindle Scout – A New Avenue for Writers?

This is an amazing new program, and Greg has always delivered some great books. All it takes is a click to support his book. THE CHANGELING looks great! Check out this story:

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Kindle Scout – A New Avenue for Writers?
By Greg Faherty

Being a writer is a tough business. You have to deal with rejection, long hours sitting in front of a computer, more rejection, editing, more rejection. Even after a book is accepted for publication, there’s still more editing to do, and then marketing, getting reviews… it’s no wonder so many of us enjoy the occasional cocktail. Six or eight times a day!

And today’s publishing environment doesn’t make things any easier. Traditional publishing? Self publishing? Small press? Big publishers? Submit to agents?

Hold on, I need a drink.

Ever since I started writing, I’ve been published 90% traditionally. The only exceptions were when I got the rights back to some books, and I placed them on Amazon myself. So when I finished my latest novel, a YA sci-fi thriller titled The Changeling, I was ready to begin that familiar submission process. Pick the top 10 publishers looking for that type of book, and send it out. One at a time. Realistically, if you throw in a few rejections (to which I’m no stranger; nobody in this business is, unless you already have a publisher or your name happens to be King, Rowling, Martin, etc.) you’re looking at 1-3 years before you get that publishing contract.

A rather daunting process.

But before I had a chance to begin, a couple of writer friends suggested I give Kindle Scout a try.

For those of you who don’t know, Kindle Scout is a relatively new program run by Amazon. Basically, the reading public serves as the slush pile team. The writer uploads a completed manuscript, synopsis, cover art, and some other info. Readers read an excerpt, and then they have the option to vote for the book if they think it’s interesting enough to finish. Get enough votes, attract the attention of the Amazon editing staff, and you have a chance to earn a publishing contract with Amazon. The benefit to the reader? Each book you vote for, you win a free copy of the ebook if it gets published. The benefit to the writer is an advance, royalties, and Amazon’s marketing machine.

Not too shabby.

But it’s not as easy as it sounds. Let’s take a look at the process:

The first step is getting the book ready for publication. This process is similar to self-publishing through Kindle. Your manuscript must be polished and ready; professional editing is a must. You need a good synopsis, a 2-line, catchy description, and a short, 1-paragraph summary. You also need a professional book cover; that means either investing some money or doing it yourself, if you have the skills. Amazon is very tough when it comes to covers. Shoddy art almost guarantees you won’t even get accepted to run a campaign.

No one seems to really know what the Scout team bases its acceptance decisions on, but if you make it past this first phase, you’ll get an email in a few days informing you your campaign is a go.

Once you stop celebrating, the second step begins. And this is the hard part.

Each campaign runs for 30 days. Amazon will tell you the launch and end dates. Usually, you have 2-3 days to prepare for the launch. You’ll need it! It’s best to prepare your social media posts, emails, and any other promotional strategies during this time, so you can be ready to go the moment the campaign goes live.

In my case, I lost a few vital hours because my campaign started at midnight. Bad Amazon, bad! So it wasn’t until 6am that I got started sending out the news.

Now, here is a key tip. You need to find a balance between over-promoting and under-promoting. Too little, and no one goes to your page. Too much, and everyone who follows you on social media will get sick of you. Remember, people can remove their votes, so you don’t want to annoy anyone! There are also paid services you can use that will blast your campaign link out all over the place, but beware. Amazon tracks where your page views originate from, and if it’s all paid promotion, they will take that into consideration, because it means people might be voting without actually reading the excerpt.

As I write this, I’m in day 12 of my 30 days, and the statistics on my Scout page show a trend already. When I post in social media (twitter, my own FB page, various reader and writer FB pages), I get 2-3 times the number of views as on days that I don’t. Even so, I’m careful to only post 1x per week on my page, and 1x per week on the various promotional FB pages. I’m saving the daily posts for the final week.

All in all, it’s a rather stressful process, especially if you hate waiting. I liken it to submitting traditionally, but you can see the editor reading your book and you’re trying to gauge their reaction.

There is one advantage, though. Within a week or so after your 30-day campaign ends, you learn if you’ll be offered a contract or not. Unlike traditional publishing, where a book can sit for up to 12 months before the editor even sees it.

The best thing is to practice patience and pour another drink!

For those of you who might be interested in taking a look at my book, here’s a little bit about it.

Struck by lightning, developing new superpowers, and pursued by a power-hungry secret military group that wants to use her as a weapon of mass destruction…it’s so not the 18th birthday that high school senior Chloe Olivetti was hoping for.

This is the summary to THE CHANGELING. If you have a minute, please register for Kindle Scout (it’s free!), read the excerpt, and if you like it, give it a vote. The benefit to you? If it wins, you get a free copy of the book for your Kindle and the book gets published. Plus, you’ll have my ever-lasting gratitude for your support (and maybe another free gift as well!). Here’s the link:

http://tinyurl.com/Changeling-scout

Thanks again!

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“Splinterette” Nominated from Bram Stoker Award® in Short Fiction

Splinterette graphic
“Splinterette”
has made it to the Final Ballot of the Bram Stoker Awards® in Short Fiction. I’m very surprised, and I’ve got some amazing company, which is great, because now I’ll be able to enjoy to Stoker Awards without being afraid I’ll have to go up to the podium and say words like, “Honored,” and “Humbled”, and I can just do that here.

I share the category with Hal Bodner, Sydney Leigh, Usman T. Malik, whose “The Vaporization Enthalpy of a Peculiar Pakistani Family” is also up for a Nebula (WOW!), Rena Mason, and Damien Angelica Walters. They’ve all produced stellar work.

“Splinterette” is about a man who is lost in a whiteout only a short distance from his home, and is seemingly rescued by a creature made of branch and sharpened bark. To me, it’s very Lovecraftian. Your mileage may vary on that one. Others have mentioned it may be metaphoric about my last few years. The jokers!

The story will be available to read here for voting members until the ballots close in a few weeks. Thanks a mill for this, everyone. It means so much to be acknowledged by my peers in horror fiction in this way.

Also, “Splinterette” appeared in the WIDOWMAKERS anthology, benefitting James Newman, who was severely injured by an immense falling branch. All proceeds help James and his family during his recovery.

http://horror.org/final-ballot-bram-stoker-awards/

Splinterette PDF download

THE BRING JASPER TO JUSTICE BLOG TOUR




THE BRING JASPER TO JUSTICE

BLOG TOUR

The whistle is blowing. That means I’ve got a new iron train stopping at the wordpress station today. And what do we have here? UK author Jasper Bark is here to talk a little bit about his work.

For more background info on Jasper please check out: http://www.jasperbark.com/bio/

Do you think horror has a purpose, above giving people a comfortable, entertaining scare?

I really do believe it has. In my opinion the best horror stories use the weird and other-worldly as a metaphor for a deeper or more personal truth. I also think that the world is quite a scary place at the moment and because of this the tropes and motifs of horror are some of the best ways of addressing the contemporary world. A lot of the horror writers coming up at the moment seem to be interested in social commentary in the same way that the New Wave and the early Cyberpunk writers previously used science fiction as a vehicle for social comment.

Why should people read your work?

Because I need the money!

Also because they’ll discover imaginative, edgy and unexpected fiction that explores social and spiritual issues while pushing at the boundaries of what genre fiction can and ought to do.

Because I’ll take them to places they’ve never been before and will never get to visit again. That’s a money back guarantee.

STUCK ON YOU:

What were you thinking when you took an urban legend and turned it into a delightfully twisted story called Stuck on You?

Mostly – “Gee, I bet this will make ’em toss their cookies” I wasn’t actually sure it was an urban legend when I stumbled across it on an obscure forum while researching something else. The person posting it seemed to think it was a true story. In fact the tale first appeared on the Darwin Awards site, which is devoted to deaths that are so dumb the victim is given an award for not muddying the human gene pool with their decided lack of smarts. So there’s some debate as to whether it actually happened or not (my guess is definitely NOT).

It was one of those little snippets of information that stuck to the seamy underbelly of my imagination and wouldn’t let go until I wrote a story to get rid of it. Taking the Piss, another story that’s collected in the forthcoming collection: Stuck on You and Other Prime Cuts, was just the same. It was inspired by something hideous I read about that just wouldn’t leave me alone. I sometimes create stories as little traps for the vile and hideous notions that infest my psyche, so I can be done with them and pass them onto my unwary readers. Think of it as a public service.

Stuck on You goes to some pretty extreme places, did you ever worry that you were going too far?

All the time. The fear for a writer working on something like Stuck On You is that you’re going to lose half your readership. That what your describing is going to gross them out so much they’ll throw the story down in disgust. So I would try and slowly ease the reader into each new incident that befalls the main character Ricardo. I would build to a gross climax then scale it back a bit. The thing about the story is that just when you think it’s gotten as low as it can go I’ll find a new depth to plumb, but you have to let up a bit in between. The intense levels of eroticism helps with this as did the black humour. Many readers have said they squirmed while reading it, or felt sick, but most have also said they laughed too, which is good because there is a strong element of slapstick in the story.

There are some really erotic and sexual scenes in Stuck On You. Were they fun to write?

Yes, but they were also very hard (if you’ll pardon the pun). That’s because, in my experience, Sex and Violence are the two hardest things to write well. Not many people have first hand experience of extreme violence so their depictions of it can sometimes seem inauthentic or clumsy. While most people have first hand experience of sex, we make ourselves very vulnerable when we talk or write about it in great detail. Mainly because we’re revealing something of ourselves that’s very intimate when we do. What’s more, its very difficult to find the right language to approach sex without sounding like either a clinical sex ed. description or a euphemism laden dirty joke.

Champions of ‘Quiet Horror’ often claim that ‘anyone can throw in a bunch of sex and violence and get a response’ but I think they’re wrong about this. You’ll get a response, but it won’t always be a good one, because not anyone can write sex or violence well. That’s often why many authors stop at the bedroom door and only hint at the violence. I think they’re making a virtue out of a necessity. However, I do think you can write something of great quality that’s also extremely violent and highly erotic. That’s one of the issues I was hoping to address with Stuck On You. You’ll have to read it to see if I’ve succeeded but I can promise you that if you like either sex or violence you won’t be disappointed.

Why should people read Stuck On You?

Because it’s the sickest, filthiest and most inexcusable thing you’ll read all year. If you think you’ve read everything in horror think again this will take you to an all time low. It’s the ultimate guilty pleasure, the sort of book you have to read with one hand free, partly to hide behind and partly to do other things with.

VIDEO FOOTAGE:

Here’s an episode of Resonance FM’s Atomic Bark show wherein Jasper talks at length with presenter James DC about old time Radio Horror Shows (very fascinating, very frightening):

http://www.youtube.com/watch?v=x6Z3goixWwc

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CHIRAL MAD 2 to include, “The Geminis”

Chiral Mad 2

Thrilled to find “The Geminis” will be included in CHIRAL MAD 2. “The Geminis” is a Weird Tale that centers around two musicians, who find unrequited love, and the music they make together, fends off some terrifying events from happening. They are like a right and left hand, spiritually, emotionally, and most importantly, musically.

Written Backwards is donating a good portion of the proceeds to charity, as well as taking care of the authors at pro-rate level. Editor Michael Bailey is also quite an accomplished artist. The cover is astounding. He’s recently had his works shown in art shows and art galleries.

For more information, check out:
https://www.facebook.com/nettirw

 

 

 

NERVES is FREE! Signed and rare items almost gone!

Hey! If you’ve been wanting to read NERVES, it’s free April 24th and 25th, 2013 on Kindle.

http://www.amazon.com/Nerves-ebook/dp…

And there’s still time to grab one of only two remaining signed hardcopy for cheaper than retail at the Bad Moon Books Kickstarter.
They’ve also got the original printed manuscript up for a reward, too. There’s lots of stuff for horror fans. Rare Clive Barker items that are amazing, and of course, the Thomas Ligotti Death Poems editions will be amazing.

http://www.kickstarter.com/projects/1…

Pretty fun stuff. Hope you all enjoy reading the book. And please, please, please review it when you’re done. And if you have read it, and haven’t put up a review, I urge you to do so. They are extremely helpful to us indie authors and make a big difference.

“A River of Blood, Carried into the Abyss” to appear in BLOOD TYPE

“A River of Blood, Carried into the Abyss” has been selected to appear in BLOOD TYPE: An Anthology of Vampire SF on the Cutting Edge, edited by Robert S. Wilson. All proceeds will be donated to Cystic Fibrosis. Appears the anthology will be out in June 2013, in time for the Bram Stoker Awards in New Orleans. “A River of Blood, Carried into the Abyss” tells the story of Galaday Red, a scientist adrift on a ship in low orbit, as he watches the world slowly die below. He’d found a cure, only it caused him to live much longer, by feeding from the filtered blood of his sleeping crew mates. Only one of them has woken, and they’re none to happy about it.

Here’s the Facebook page for the anthology: https://www.facebook.com/Bloodtypeanthology?fref=ts

I love this cover art.

Blood Type cover

13 & 1/2 Things You Didn’t Know About Jeremy C. Shipp

Here’s a little fun thing Jeremy C. Shipp has given to us. Instead of the usual Q & A interview, we’re trying something a little bit different here. Enjoy. And be sure to check out Jeremy’s writing. It’s a lot of fun.

 

Jeremy Shipp photo

 

13 & 1/2 Things You Didn’t Know About Jeremy C. Shipp

 

1. Everything I know about the past and future I learned from the Flintstones and the Jetsons.

 

2. My shoe size is 9.5. My elf shoe size is 12 twinkles. But in truth I don’t often wear shoes. I’m like a Hobbit, only my feet are hairier and I’m less likely to go on adventures.

 

3. The “C” in Jeremy C. Shipp stands for one of these words: Curmudgeon, Calvin, Christopher, Cacodaemon, Crispy, Cookie, Cullen, Crabapple, Chubasco.

 

4. I live in a semi-haunted Victorian farmhouse full of lazy ghosts who won’t even help me with the dishes.

 

5. None of my toes have much of a personality, except for the middle toe on my right foot. His name is Roy. He speaks in riddles and he sings like the toe of an angel.

 

6. My first memory is the memory of a nightmare about a monster.

 

7. The clowns in my attic look a lot like me, but I don’t know why.

 

8. When I was in 4th grade, I wrote my first short story. The tale is about UFOs and aliens and a planet called “Bad,” where good things go bad and bad things get worse. I have visited this planet on a few occasions, and let me tell you, it’s not much fun.

 

9. I believe in unicorns, but they don’t believe in me.

 

10. In my opinion, the meaning of life is to get so wrapped up in living that you don’t care about the meaning anymore. Oh, and the meaning of life is also French fries.

 

11. I love talking dogs, but not the racist ones.

 

12. Years ago, I found a parrot on the street and nursed him back to health. As soon as he regained his strength, he laughed like a mad clown and knocked over his food dish. Then he flew behind me and bit the back of my neck, again and again. I don’t blame him. The back of my neck is a jerk.

 

13. I am, in fact, a giant yard gnome. I have lived so long among humans, I often forget that I’m not one of you. More often than not, I eat human French fries and I wear human T-shirts. However, on the gnomic holidays, I wear the traditional pointy red cap with pride.

 

13.5. You’re not going to believe this, but in my spare time, I like to wrap myself in–

 

http://www.jeremycshipp.com

Free stories: http://jeremycshipp.wordpress.com/free-stories/

Books: http://www.amazon.com/Jeremy-C.-Shipp/e/B002BM34KS